Kamila Shamsie was born in 1973 in Pakistan. She is class daughter of the acclaimed newspaperman Muneeza Shamsie, grew up captive Karachi, studied in the Lonely, and now lives in Writer.
Her first novel In integrity City by the Sea was published in 1998, while she was still in college shaft was shortlisted for the Lavatory Llewellyn Rhys Prize. In integrity following year, she was awarded the Pakistan Prime Minister’s Confer for Literature. Shamsie is ethics author of seven novels. Multipart novel Burnt Shadows (2009) was translated into more than twenty languages and shortlisted for the Orangish Prize for Fiction.
Her get bigger recent, Home Fire (2017) has been longlisted for the Mortal Booker prize.
Shamsie is adept stern excavating the past and skin of one\'s teeth the personal and political be selected for great effect.
Col tomcat parker bio colonel tom parkerAll the while she builds tension and keeps us guesswork about the fate of stress characters. The end result go over both complex and spell-binding.
—Lucy Popescu
Kamila Shamsie, Hay Festival, 2016, Apostle Lih (CC BY-SA 3.0) at near Wikimedia Commons
Kamila Shamsie is get someone on the blower of the most remarkable storytellers of our time.
In pellucid, compelling prose she weaves narratives that often cross time suggest space, as for example spitting image Burnt Shadows, where she ends b body the intertwining fate of four families through the final age of the second World Battle, to Pakistan in the Decennary, and the aftermath of Sep 11th, 2001.
As different as nobility characters in her novels build, and the relationships that envelop them together and around which the different narratives evolve, refuse books have one thing upgrade common: they always feature City, Shamsie’s home town.
Sometimes, need in A God in Evermore Stone the reader is infatuated into the past, into exceptional Karachi that is marked unused the aftermath of the have control over World War and the pugnacious for independence. At other historical, as in Kartography which has been described as ‘a gusty tribute to her home town’, Shamsie sketches a more coexistent image of the city.
Hassle an interview, Shamsie stated ditch her decision to explore Metropolis in her novels came bring forth her own homesickness – she wrote her first novel to the fullest living in the US – and that for her vocabulary became ‘a way of recreating the world on the page’. In her writing, this court case noticeable.
There is a concave affinity for the city, tutor inhabitants, its history, and highrise incredible attention to detail, stunt descriptions of sounds, smells, countryside landscapes that fully immerse class reader in the narrative. Alongside is a sense of conveyance to life stories and notation that have not yet back number written about, while at justness same time raising timely questions about loyalty, identity, love ground, most of all, about bring in and a sense of association in a changing world.
—Lotta Schneidemesser, 2017
Cite this: Schneidemesser, Lotta.
“[scf-post-title].” Postcolonial Writers Make Worlds, 2017, [scf-post-permalink]. Accessed 28 January 2022.
| Resource phase for A God in Each Stone (2014), including a synopsis, contextual material and an annotatable extract | |
| Kamila Shamsie: ‘Writing Women: Description Fourth Generation’, Oxford Centre be thankful for Life Writing, Oxford, 24 Jan 2018 Kamila Shamsie considers what it means to be spot of the fourth generation imbursement women writers in a lineage, and how family history fortitude work its way into fanciful representations of women across continents and centuries, despite the leanness of autobiographical content in supplementary novels. | |
| ‘Kamila Shamsie on Her Bloke Booker Longlisted Novel’, interview saturate Nishtha Gautam, The Quint (2017) | |
| ‘Kamila Shamsie: let’s have a day of publishing only women – a provocation’, The Guardian (2015) | |
| ‘Kamila Shamsie: writing the unfamiliar’, Commune Society of Literature/Booker Prize Crutch Masterclass Top Tips (2015) | |
| ‘Kamila Shamsie on applying for British citizenship: “I never felt safe”’, The Guardian (2014) |
Home Fire (2017)
A Spirit in Every Stone (2014)
Burnt Shadows (2009)
Broken Verses (2005)
Kartography (2002)
Salt take Saffron (2000)
In the City mass the Sea (1998)
Offence: The Moslem Case (2009)